{"id":4312198215,"title":"Esquivel! Space-Age Sound Artist","handle":"esquivel-space-age-sound-artist","description":"\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003c!-- - - - - - - - ENTER AUTHOR\/ILLUSTRATOR INFO BELOW - - - - - - - --\u003e\n\u003cp\u003eBy: \u003ca title=\"Susan Wood bio\" href=\"https:\/\/www.charlesbridge.com\/pages\/susan-wood\"\u003eSusan Wood\u003c\/a\u003e \/ Illustrated by: \u003ca title=\"Duncan Tonatiuh bio\" href=\"http:\/\/www.charlesbridge.com\/pages\/duncan-tonatiuh\"\u003eDuncan Tonatiuh\u003c\/a\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - ENTER HEADING BELOW - - - - - - - --\u003e\n\u003ch3\u003eA playful picture-book biography of the father of space-age bachelor-pad lounge music.\u003c\/h3\u003e\n\u003c!-- - - - - - - - ENTER DESCRIPTION BELOW - - - - - - - --\u003e\n\u003cp\u003eA self-taught Mexican composer, arranger, bandleader, and pianist, Juan García Esquivel was a pioneer in the use of stereo sound in the 1950s and 1960s. Juan's music is quirky, fun, and truly out of this world, with unusual instrumentation, unorthodox vocal textures and effects. Juan was a true musical innovator, using sound and stereo as his musical palette.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/esquivelbook.com\/educators-resources.html\" title=\"Esquivel! Educator's Guide\" target=\"new\"\u003eClick here\u003c\/a\u003e for access to an Educator's Guide for the book aligned with Common Core state standards for English Language Arts. Available in both English and Spanish.\u003c\/p\u003e\n\u003c!-- - - - - - - - - - - - ENTER RECOMMENDATIONS BELOW - - - - - - - -- - - --\u003e\n\u003cdiv class=\"recommended-books\"\u003e\n\u003cp\u003eIf you like this book, you’ll enjoy these:\u003cbr\u003e\u003ca title=\"Duke Ellington's Nutcracker Suite\" href=\"http:\/\/www.charlesbridge.com\/products\/duke-ellingtons-nutcracker-suite\"\u003eDuke Ellington's Nutcracker Suite\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"Yes! We Are Latinos\" href=\"http:\/\/www.charlesbridge.com\/products\/yes-we-are-latinos\"\u003eYes! We Are Latinos: Poems and Prose About the Latino Experience\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"Under the Mambo Moon\" href=\"http:\/\/www.charlesbridge.com\/products\/under-the-mambo-moon\"\u003eUnder the Mambo Moon\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- - - - - - - - - - - - START OF TABS - - - - - - - -- - - --\u003e\n\u003cp\u003e[TABS]\u003c\/p\u003e\n\u003ch5\u003eEsquivel on YouTube\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe style=\"display: block; margin-left: auto; margin-right: auto;\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2NglD0H-cps?list=PL5A293B30C9DF1E88\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003eLook Inside\u003c\/h5\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/esquivel-spread.jpg?15598320408162785321\" style=\"display: block; margin-left: auto; margin-right: auto;\" class=\"cvr-border-gray\"\u003e\u003c!-- Please call pinit.js only once per page --\u003e \u003cscript type=\"text\/javascript\" async=\"\" defer data-pin-shape=\"round\" data-pin-height=\"32\" data-pin-hover=\"true\" src=\"\/\/assets.pinterest.com\/js\/pinit.js\"\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - - - - - ENTER AUTHOR BIO BELOW - - - - - - - - - --\u003e\n\u003ch5\u003eAuthor \u0026amp; Illustrator\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eSusan Wood, author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSusan Wood, writing formerly as Susan VanHecke, is the author of \u003cem\u003eRaggin’ Jazzin’ Rockin’: A History of American Musical Instrument\u003c\/em\u003e Makers (Boyds Mills), an ALA Notable Children’s Book; and \u003cem\u003eAn Apple Pie for Dinner\u003c\/em\u003e (Marshall Cavendish), and \u003cem\u003eUnder the Freedom Tree\u003c\/em\u003e, as well as several books for adults. She lives in Norfolk, Virginia.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Susan Wood bio\" href=\"http:\/\/www.charlesbridge.com\/pages\/susan-wood\"\u003eRead more\u003c\/a\u003e about Susan.\u003c\/p\u003e\n\u003c!-- - - - - - - ENTER ILLUSTRATOR BIO BELOW - - - - - - - - - - - --\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDuncan Tonatiuh, illustrator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePura Belpré winner Duncan Tonatiuh is a Mexican American illustrator and an author in his own right. His books include \u003cem\u003eSeparate is Never Equal\u003c\/em\u003e (Abrams) and \u003cem\u003eDear Primo\u003c\/em\u003e (Abrams). He graduated from Parsons The New School of Design and his style is inspired by Ancient Mexican art, especially the Mixtec codex.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Duncan Tonatiuh bio\" href=\"http:\/\/www.charlesbridge.com\/pages\/duncan-tonatiuh\"\u003eRead more\u003c\/a\u003e about Duncan.\u003c\/p\u003e\n\u003c!-- - - - - - - - - ENTER AWARDS \u0026 HONORS BELOW - - - - - - - - --\u003e\n\u003ch5\u003eAwards \u0026amp; Honors\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eSchool Library Journal's Top Ten Latinx Books\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- - - - - - - - - - ENTER REVIEWS BELOW - - - - - - - - - --\u003e\n\u003ch5\u003eEditorial Reviews\u003c\/h5\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003ci\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/star-fade.gif?18127980511287865543\"\u003e \u003cstrong\u003eSchool Library Journal\u003c\/strong\u003e\u003c\/i\u003e, starred review\u003c\/p\u003e\n\u003cp\u003eMuch as Juan García Esquivel (1918–2002) made a great contribution to music history, this title is an important addition to music biography collections. Beginning with Tampico, Mexico, the text and illustrations work together to showcase how a world filled with sound influenced and inspired a young Esquivel and continued to do so throughout his life. Esquivel is shown listening to “whirling” mariachi bands, modifying a player piano to suit his own compositions, experimenting with unusual instruments like the theremin, and conducting musicians in unique and unprecedented ways. The text explores how Esquivel’s love of sound led to new ways of making music, most notably in his pioneering of stereo sound and lounge music. Tonatiuh’s illustrations are lively and colorful—-a perfect match for Esquivel’s personality and work. Occasional blocks of text make this title best suited for upper elementary students. Back matter includes an author’s note expanding on Esquivel’s influence and an illustrator’s note on how the art was created. VERDICT A beautiful addition to music biography collections for upper elementary students.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWood and Tonatiuh combine to tell the story of a musician and composer kids have likely never heard of.\u003c\/p\u003e\n\u003cp\u003eAt 6, Juan García Esquivel figured out how to disable the paper roll in his family's player piano, leaving him free to experiment and learn how to play the instrument himself. This spirit of experimentation never left Juan, who went on to become a pioneer in a quirky, innovative style of lounge music popular in the 1950s and '60s. Esquivel!, as he became known, combined Latin rhythms, jazz, human voices, and unusual instruments in order to create unique musical textures and effects. During his career, Juan became popular in both Mexico and the United States, and he wrote many songs for TV shows and movies. The narrative presents the biographical facts of Juan's life in an engaging and accessible manner. Young readers who have never before heard of this musician may find their curiosity piqued. However, it is Tonatiuh's illustrations that truly spark the imagination. Tonatiuh employs his signature style of Mixtec codex-influenced design, combines it with playful tributes to the fashion and style of the 1960s, sprinkles in text blocks of onomatopoeia that seem to vibrate on the page, and fills in the empty areas with a watery mix of purples and blues that perfectly complements the spacey style expressed in the music.\u003c\/p\u003e\n\u003cp\u003eA lively introduction to a somewhat obscure and profoundly innovative musical figure.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJuan Garcia Esquivel created out-of-this-world sounds, and Wood (formerly VanHecke) and Tonatiuh capture the fascinating story of Esquivel's musical talent in this picture-book biography. Esquivel was a young boy in Tampico, Mexico, when he discovered his love for music. He taught himself to play the piano, and before he knew it he was conducting orchestras and composing music. Esquivel is revered for his innovative sounds that were said to transport listeners to other worlds. His music was so popular that his fans donned him Esquivel!--with an exclamation point! Wood's story provides insight to the making of a magnificent musician and incorporates enough sound effects (\u003ci\u003ewheedy-whee!\u003c\/i\u003e, \u003ci\u003eblap!\u003c\/i\u003e, \u003ci\u003ebowm-bowm!\u003c\/i\u003e) to make Esquivel proud. Energetic collage illustrations complement the text by allowing readers to see Esquivel's sounds and his love for music. Sibert Award winner Tonatiuh (\u003ci\u003eFunny Bones\u003c\/i\u003e, 2015) draws in his well-known style inspired by the Mixtec codex, where characters are represented in profile. Back matter includes an author's note with supplementary information on Esquivel's life, an illustrator's note on the artwork, and additional resources.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWood (\u003ci\u003eUnder the Freedom Tree\u003c\/i\u003e) and Tonatiuh (\u003ci\u003eFunny Bones\u003c\/i\u003e) team up to recount the life of Juan Garcia Esquivel (1918-2002), who grew up with music in Mexico, \"where whirling mariachi bands let out joyful yells as they stamped and strummed,\" and made it his life's work as a bandleader and composer. Tonatiuh's Mexican-art-inspired collages translate smoothly to the 1950s and '60s, when Esquivel was at the height of his creative output, creating lounge music using newly developed stereo recording technology. Wood's straightforward narration moves readers briskly through the musician's life, and her descriptions of the sounds he developed (\"like a crazy rocket ride zigzagging through outer space\") should lead many of them to seek out recordings of his work. It's a welcome tribute to an underrated figure in 20th century music. A Spanish-language edition is available simultaneously.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eBulletin of the Center for Children's Books\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA kid’s got to be careful in admitting a taste for grandparents’ music. Mick Jagger is acceptable, and Aretha Franklin’s not too embarrassing—and as Wood and Tonatiuh demonstrate in this picture-book biography, being part of Juan Garcia Esquivel fandom could be insanely cool. An autodidact at the piano, Esquivel had landed a modest piano gig on a Mexico City radio station by age fourteen and led a radio orchestra by age seventeen. With a keen ear attuned to urban soundscapes, he played fast and loose with popular Mexican tunes, lacing them with a kind of instrumental take on vocal scat that made him a recording star in both Mexico and the United States. Wood describes not only the quirkiness of his instrumentation but also how Esquivel arrived on the scene just in time to take advantage of new recording techniques and stereophonic sound separation, and how he was able to make a home in a range of sonic media, from Las Vegas stage shows, to television and movies, and of course, vinyl. That’s all well and good, but for kids who haven’t heard Esquivel, they’ll need more incentive, and Wood brings it. Her closing note focuses on the 1990s resurgence of interest in Esquivel’s recordings, which segues happily into the current rediscovery of the pleasures of vinyl. Tonatiuh reprises the Maya-influenced style audiences may recognize from \u003ci\u003eFunny Bones: Posada and His Day of the Dead Calaveras\u003c\/i\u003e (BCCB 10\/15), but he infuses its formality with some freewheeling text and swirling motif design suggestive of Sean Qualls. The Resources page tosses in a couple of quotation credits and adult print references but concentrates on websites of Esquivel interviews and YouTube performances virtually guaranteed to secure the late orchestra leader a fresh following. Let the downloads begin.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eThe Horn Book Magazine\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGrowing up in Mexico, Juan Garcia Esquivel got an earful of mariachi, but he wanted to create his own sound. Self-taught and persistent, he was playing piano at a radio station at fourteen and leading an orchestra for a radio comedy show at seventeen. His sound was so infectious that word traveled to the United States; a record company invited him to New York, which led to international success. Esquivel's rewardingly strange instrumentals and his innovations in stereo sound would come to define mid-twentieth-century lounge music. There's not much personal information here--one must turn to the author's note to learn that Esquivel died in 2002--but the story of his professional rise is told with pep and a keen awareness of how to best explain Esquivel's skills to young readers (\"When the radio comedian needed music for a skit about, say, a stout man walking his tiny poodle down a busy city street, Juan had to imagine what that might sound like\"). Illustrator Tonatiuh (\u003ci\u003eThe Princess and the Warrior\u003c\/i\u003e, rev. 9\/16), once again working within the tradition of the fourteenth-and fifteenth-century Mixtec codex, takes a fittingly offbeat approach to portraying the very modern Esquivel, whose music, as Wood puts it, \"sounded like a crazy rocket ride zigzagging through outer space.\" Appended with source notes and lists of assorted resources.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c!-- - - - - - - - - - - ENTER DOWNLOADABLES BELOW - - - - - - - - - - --\u003e\n\u003ch5\u003eDownloadables\u003c\/h5\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg style=\"display: block; float: none; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/esquivel-cvr.jpg?2195007725441846035\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"btn-wrapper\"\u003e\u003ca class=\"product-btn\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/esquivel-hires.zip?2195007725441846035\"\u003eDownload the Cover\u003c\/a\u003e\u003c\/div\u003e\n\u003c!-- - - - - - - - - - - - ENTER DETAILS BELOW - - - - - - - - - - - --\u003e\n\u003ch5\u003eDetails\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eEnglish Hardcover\u003c\/strong\u003e \u003cbr\u003eISBN: 978-1-58089-673-3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnglish Paperback\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eISBN: 978-1-58089-674-0\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpanish Hardcover\u003c\/strong\u003e\u003cbr\u003eISBN: 978-1-58089-733-4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpanish Paperback\u003c\/strong\u003e\u003cbr\u003eISBN: 978-1-62354-575-8\u003c\/p\u003e\n\u003cp\u003eAges: 6-9\u003cbr\u003ePage count: 32\u003cbr\u003e10 x 10\u003c\/p\u003e\n\u003cp\u003eEnglish publication date: September 6, 2016\u003cbr\u003eSpanish publication date: September 10, 2024\u003c\/p\u003e\n\u003cp\u003e[\/TABS]\u003c\/p\u003e","published_at":"2016-02-06T11:21:00-05:00","created_at":"2016-02-05T11:41:23-05:00","vendor":"Charlesbridge","type":"Children's Book","tags":["Browse by Age_Ages 6-10","Browse by Fiction\/Nonfiction_Nonfiction","Browse by Format_Picture Book","Browse by Language_English","Browse by Subject_Art\/Music\/Theater","Browse by Subject_Diversity","Browse by Subject_History \u0026 Biography"],"price":899,"price_min":899,"price_max":1795,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14711647303,"title":"Hardcover","option1":"Hardcover","option2":null,"option3":null,"sku":"96733","requires_shipping":true,"taxable":false,"featured_image":{"id":12938578886735,"product_id":4312198215,"position":1,"created_at":"2019-10-07T14:02:44-04:00","updated_at":"2020-04-13T11:48:01-04:00","alt":"Esquivel! Space-Age Sound Artist book cover","width":600,"height":593,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-cover.jpg?v=1586792881","variant_ids":[14711647303,31901198090319]},"available":true,"name":"Esquivel! Space-Age Sound Artist - Hardcover","public_title":"Hardcover","options":["Hardcover"],"price":1795,"weight":499,"compare_at_price":null,"inventory_quantity":7,"inventory_management":"shopify","inventory_policy":"continue","barcode":"9781580896733","featured_media":{"alt":"Esquivel! Space-Age Sound Artist book cover","id":2473319104591,"position":1,"preview_image":{"aspect_ratio":1.012,"height":593,"width":600,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-cover.jpg?v=1586792881"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":14713939591,"title":"Spanish language hardcover","option1":"Spanish language hardcover","option2":null,"option3":null,"sku":"97334","requires_shipping":true,"taxable":true,"featured_image":{"id":38455228498157,"product_id":4312198215,"position":2,"created_at":"2023-01-18T11:53:49-05:00","updated_at":"2023-01-18T11:53:51-05:00","alt":null,"width":600,"height":600,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-SPAN-cover_14fbf555-da1f-4286-953d-d20d37f5862c.jpg?v=1674060831","variant_ids":[14713939591,45359409463533]},"available":true,"name":"Esquivel! Space-Age Sound Artist - Spanish language hardcover","public_title":"Spanish language hardcover","options":["Spanish language hardcover"],"price":1795,"weight":482,"compare_at_price":null,"inventory_quantity":8,"inventory_management":"shopify","inventory_policy":"continue","barcode":"978-1-58089-733-4","featured_media":{"alt":null,"id":31045137334509,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-SPAN-cover_14fbf555-da1f-4286-953d-d20d37f5862c.jpg?v=1674060831"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":31901198090319,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"96740","requires_shipping":true,"taxable":false,"featured_image":{"id":12938578886735,"product_id":4312198215,"position":1,"created_at":"2019-10-07T14:02:44-04:00","updated_at":"2020-04-13T11:48:01-04:00","alt":"Esquivel! Space-Age Sound Artist book cover","width":600,"height":593,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-cover.jpg?v=1586792881","variant_ids":[14711647303,31901198090319]},"available":true,"name":"Esquivel! Space-Age Sound Artist - Paperback","public_title":"Paperback","options":["Paperback"],"price":899,"weight":193,"compare_at_price":null,"inventory_quantity":50,"inventory_management":"shopify","inventory_policy":"continue","barcode":"978-1-58089-674-0","featured_media":{"alt":"Esquivel! Space-Age Sound Artist book cover","id":2473319104591,"position":1,"preview_image":{"aspect_ratio":1.012,"height":593,"width":600,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-cover.jpg?v=1586792881"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45359409463533,"title":"Spanish language paperback","option1":"Spanish language paperback","option2":null,"option3":null,"sku":"45758","requires_shipping":true,"taxable":false,"featured_image":{"id":38455228498157,"product_id":4312198215,"position":2,"created_at":"2023-01-18T11:53:49-05:00","updated_at":"2023-01-18T11:53:51-05:00","alt":null,"width":600,"height":600,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-SPAN-cover_14fbf555-da1f-4286-953d-d20d37f5862c.jpg?v=1674060831","variant_ids":[14713939591,45359409463533]},"available":true,"name":"Esquivel! Space-Age Sound Artist - Spanish language paperback","public_title":"Spanish language paperback","options":["Spanish language paperback"],"price":899,"weight":369,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"continue","barcode":"9781623545758","featured_media":{"alt":null,"id":31045137334509,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-SPAN-cover_14fbf555-da1f-4286-953d-d20d37f5862c.jpg?v=1674060831"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-cover.jpg?v=1586792881","\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-SPAN-cover_14fbf555-da1f-4286-953d-d20d37f5862c.jpg?v=1674060831"],"featured_image":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-cover.jpg?v=1586792881","options":["Title"],"media":[{"alt":"Esquivel! Space-Age Sound Artist book cover","id":2473319104591,"position":1,"preview_image":{"aspect_ratio":1.012,"height":593,"width":600,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-cover.jpg?v=1586792881"},"aspect_ratio":1.012,"height":593,"media_type":"image","src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-cover.jpg?v=1586792881","width":600},{"alt":null,"id":31045137334509,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-SPAN-cover_14fbf555-da1f-4286-953d-d20d37f5862c.jpg?v=1674060831"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/www.charlesbridge.com\/cdn\/shop\/products\/esquivel-SPAN-cover_14fbf555-da1f-4286-953d-d20d37f5862c.jpg?v=1674060831","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003c!-- - - - - - - - ENTER AUTHOR\/ILLUSTRATOR INFO BELOW - - - - - - - --\u003e\n\u003cp\u003eBy: \u003ca title=\"Susan Wood bio\" href=\"https:\/\/www.charlesbridge.com\/pages\/susan-wood\"\u003eSusan Wood\u003c\/a\u003e \/ Illustrated by: \u003ca title=\"Duncan Tonatiuh bio\" href=\"http:\/\/www.charlesbridge.com\/pages\/duncan-tonatiuh\"\u003eDuncan Tonatiuh\u003c\/a\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - ENTER HEADING BELOW - - - - - - - --\u003e\n\u003ch3\u003eA playful picture-book biography of the father of space-age bachelor-pad lounge music.\u003c\/h3\u003e\n\u003c!-- - - - - - - - ENTER DESCRIPTION BELOW - - - - - - - --\u003e\n\u003cp\u003eA self-taught Mexican composer, arranger, bandleader, and pianist, Juan García Esquivel was a pioneer in the use of stereo sound in the 1950s and 1960s. Juan's music is quirky, fun, and truly out of this world, with unusual instrumentation, unorthodox vocal textures and effects. Juan was a true musical innovator, using sound and stereo as his musical palette.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/esquivelbook.com\/educators-resources.html\" title=\"Esquivel! Educator's Guide\" target=\"new\"\u003eClick here\u003c\/a\u003e for access to an Educator's Guide for the book aligned with Common Core state standards for English Language Arts. Available in both English and Spanish.\u003c\/p\u003e\n\u003c!-- - - - - - - - - - - - ENTER RECOMMENDATIONS BELOW - - - - - - - -- - - --\u003e\n\u003cdiv class=\"recommended-books\"\u003e\n\u003cp\u003eIf you like this book, you’ll enjoy these:\u003cbr\u003e\u003ca title=\"Duke Ellington's Nutcracker Suite\" href=\"http:\/\/www.charlesbridge.com\/products\/duke-ellingtons-nutcracker-suite\"\u003eDuke Ellington's Nutcracker Suite\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"Yes! We Are Latinos\" href=\"http:\/\/www.charlesbridge.com\/products\/yes-we-are-latinos\"\u003eYes! We Are Latinos: Poems and Prose About the Latino Experience\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"Under the Mambo Moon\" href=\"http:\/\/www.charlesbridge.com\/products\/under-the-mambo-moon\"\u003eUnder the Mambo Moon\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- - - - - - - - - - - - START OF TABS - - - - - - - -- - - --\u003e\n\u003cp\u003e[TABS]\u003c\/p\u003e\n\u003ch5\u003eEsquivel on YouTube\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe style=\"display: block; margin-left: auto; margin-right: auto;\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2NglD0H-cps?list=PL5A293B30C9DF1E88\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003eLook Inside\u003c\/h5\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/esquivel-spread.jpg?15598320408162785321\" style=\"display: block; margin-left: auto; margin-right: auto;\" class=\"cvr-border-gray\"\u003e\u003c!-- Please call pinit.js only once per page --\u003e \u003cscript type=\"text\/javascript\" async=\"\" defer data-pin-shape=\"round\" data-pin-height=\"32\" data-pin-hover=\"true\" src=\"\/\/assets.pinterest.com\/js\/pinit.js\"\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - - - - - ENTER AUTHOR BIO BELOW - - - - - - - - - --\u003e\n\u003ch5\u003eAuthor \u0026amp; Illustrator\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eSusan Wood, author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSusan Wood, writing formerly as Susan VanHecke, is the author of \u003cem\u003eRaggin’ Jazzin’ Rockin’: A History of American Musical Instrument\u003c\/em\u003e Makers (Boyds Mills), an ALA Notable Children’s Book; and \u003cem\u003eAn Apple Pie for Dinner\u003c\/em\u003e (Marshall Cavendish), and \u003cem\u003eUnder the Freedom Tree\u003c\/em\u003e, as well as several books for adults. She lives in Norfolk, Virginia.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Susan Wood bio\" href=\"http:\/\/www.charlesbridge.com\/pages\/susan-wood\"\u003eRead more\u003c\/a\u003e about Susan.\u003c\/p\u003e\n\u003c!-- - - - - - - ENTER ILLUSTRATOR BIO BELOW - - - - - - - - - - - --\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDuncan Tonatiuh, illustrator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePura Belpré winner Duncan Tonatiuh is a Mexican American illustrator and an author in his own right. His books include \u003cem\u003eSeparate is Never Equal\u003c\/em\u003e (Abrams) and \u003cem\u003eDear Primo\u003c\/em\u003e (Abrams). He graduated from Parsons The New School of Design and his style is inspired by Ancient Mexican art, especially the Mixtec codex.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Duncan Tonatiuh bio\" href=\"http:\/\/www.charlesbridge.com\/pages\/duncan-tonatiuh\"\u003eRead more\u003c\/a\u003e about Duncan.\u003c\/p\u003e\n\u003c!-- - - - - - - - - ENTER AWARDS \u0026 HONORS BELOW - - - - - - - - --\u003e\n\u003ch5\u003eAwards \u0026amp; Honors\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eSchool Library Journal's Top Ten Latinx Books\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- - - - - - - - - - ENTER REVIEWS BELOW - - - - - - - - - --\u003e\n\u003ch5\u003eEditorial Reviews\u003c\/h5\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003ci\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/star-fade.gif?18127980511287865543\"\u003e \u003cstrong\u003eSchool Library Journal\u003c\/strong\u003e\u003c\/i\u003e, starred review\u003c\/p\u003e\n\u003cp\u003eMuch as Juan García Esquivel (1918–2002) made a great contribution to music history, this title is an important addition to music biography collections. Beginning with Tampico, Mexico, the text and illustrations work together to showcase how a world filled with sound influenced and inspired a young Esquivel and continued to do so throughout his life. Esquivel is shown listening to “whirling” mariachi bands, modifying a player piano to suit his own compositions, experimenting with unusual instruments like the theremin, and conducting musicians in unique and unprecedented ways. The text explores how Esquivel’s love of sound led to new ways of making music, most notably in his pioneering of stereo sound and lounge music. Tonatiuh’s illustrations are lively and colorful—-a perfect match for Esquivel’s personality and work. Occasional blocks of text make this title best suited for upper elementary students. Back matter includes an author’s note expanding on Esquivel’s influence and an illustrator’s note on how the art was created. VERDICT A beautiful addition to music biography collections for upper elementary students.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWood and Tonatiuh combine to tell the story of a musician and composer kids have likely never heard of.\u003c\/p\u003e\n\u003cp\u003eAt 6, Juan García Esquivel figured out how to disable the paper roll in his family's player piano, leaving him free to experiment and learn how to play the instrument himself. This spirit of experimentation never left Juan, who went on to become a pioneer in a quirky, innovative style of lounge music popular in the 1950s and '60s. Esquivel!, as he became known, combined Latin rhythms, jazz, human voices, and unusual instruments in order to create unique musical textures and effects. During his career, Juan became popular in both Mexico and the United States, and he wrote many songs for TV shows and movies. The narrative presents the biographical facts of Juan's life in an engaging and accessible manner. Young readers who have never before heard of this musician may find their curiosity piqued. However, it is Tonatiuh's illustrations that truly spark the imagination. Tonatiuh employs his signature style of Mixtec codex-influenced design, combines it with playful tributes to the fashion and style of the 1960s, sprinkles in text blocks of onomatopoeia that seem to vibrate on the page, and fills in the empty areas with a watery mix of purples and blues that perfectly complements the spacey style expressed in the music.\u003c\/p\u003e\n\u003cp\u003eA lively introduction to a somewhat obscure and profoundly innovative musical figure.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJuan Garcia Esquivel created out-of-this-world sounds, and Wood (formerly VanHecke) and Tonatiuh capture the fascinating story of Esquivel's musical talent in this picture-book biography. Esquivel was a young boy in Tampico, Mexico, when he discovered his love for music. He taught himself to play the piano, and before he knew it he was conducting orchestras and composing music. Esquivel is revered for his innovative sounds that were said to transport listeners to other worlds. His music was so popular that his fans donned him Esquivel!--with an exclamation point! Wood's story provides insight to the making of a magnificent musician and incorporates enough sound effects (\u003ci\u003ewheedy-whee!\u003c\/i\u003e, \u003ci\u003eblap!\u003c\/i\u003e, \u003ci\u003ebowm-bowm!\u003c\/i\u003e) to make Esquivel proud. Energetic collage illustrations complement the text by allowing readers to see Esquivel's sounds and his love for music. Sibert Award winner Tonatiuh (\u003ci\u003eFunny Bones\u003c\/i\u003e, 2015) draws in his well-known style inspired by the Mixtec codex, where characters are represented in profile. Back matter includes an author's note with supplementary information on Esquivel's life, an illustrator's note on the artwork, and additional resources.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWood (\u003ci\u003eUnder the Freedom Tree\u003c\/i\u003e) and Tonatiuh (\u003ci\u003eFunny Bones\u003c\/i\u003e) team up to recount the life of Juan Garcia Esquivel (1918-2002), who grew up with music in Mexico, \"where whirling mariachi bands let out joyful yells as they stamped and strummed,\" and made it his life's work as a bandleader and composer. Tonatiuh's Mexican-art-inspired collages translate smoothly to the 1950s and '60s, when Esquivel was at the height of his creative output, creating lounge music using newly developed stereo recording technology. Wood's straightforward narration moves readers briskly through the musician's life, and her descriptions of the sounds he developed (\"like a crazy rocket ride zigzagging through outer space\") should lead many of them to seek out recordings of his work. It's a welcome tribute to an underrated figure in 20th century music. A Spanish-language edition is available simultaneously.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eBulletin of the Center for Children's Books\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA kid’s got to be careful in admitting a taste for grandparents’ music. Mick Jagger is acceptable, and Aretha Franklin’s not too embarrassing—and as Wood and Tonatiuh demonstrate in this picture-book biography, being part of Juan Garcia Esquivel fandom could be insanely cool. An autodidact at the piano, Esquivel had landed a modest piano gig on a Mexico City radio station by age fourteen and led a radio orchestra by age seventeen. With a keen ear attuned to urban soundscapes, he played fast and loose with popular Mexican tunes, lacing them with a kind of instrumental take on vocal scat that made him a recording star in both Mexico and the United States. Wood describes not only the quirkiness of his instrumentation but also how Esquivel arrived on the scene just in time to take advantage of new recording techniques and stereophonic sound separation, and how he was able to make a home in a range of sonic media, from Las Vegas stage shows, to television and movies, and of course, vinyl. That’s all well and good, but for kids who haven’t heard Esquivel, they’ll need more incentive, and Wood brings it. Her closing note focuses on the 1990s resurgence of interest in Esquivel’s recordings, which segues happily into the current rediscovery of the pleasures of vinyl. Tonatiuh reprises the Maya-influenced style audiences may recognize from \u003ci\u003eFunny Bones: Posada and His Day of the Dead Calaveras\u003c\/i\u003e (BCCB 10\/15), but he infuses its formality with some freewheeling text and swirling motif design suggestive of Sean Qualls. The Resources page tosses in a couple of quotation credits and adult print references but concentrates on websites of Esquivel interviews and YouTube performances virtually guaranteed to secure the late orchestra leader a fresh following. Let the downloads begin.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eThe Horn Book Magazine\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGrowing up in Mexico, Juan Garcia Esquivel got an earful of mariachi, but he wanted to create his own sound. Self-taught and persistent, he was playing piano at a radio station at fourteen and leading an orchestra for a radio comedy show at seventeen. His sound was so infectious that word traveled to the United States; a record company invited him to New York, which led to international success. Esquivel's rewardingly strange instrumentals and his innovations in stereo sound would come to define mid-twentieth-century lounge music. There's not much personal information here--one must turn to the author's note to learn that Esquivel died in 2002--but the story of his professional rise is told with pep and a keen awareness of how to best explain Esquivel's skills to young readers (\"When the radio comedian needed music for a skit about, say, a stout man walking his tiny poodle down a busy city street, Juan had to imagine what that might sound like\"). Illustrator Tonatiuh (\u003ci\u003eThe Princess and the Warrior\u003c\/i\u003e, rev. 9\/16), once again working within the tradition of the fourteenth-and fifteenth-century Mixtec codex, takes a fittingly offbeat approach to portraying the very modern Esquivel, whose music, as Wood puts it, \"sounded like a crazy rocket ride zigzagging through outer space.\" Appended with source notes and lists of assorted resources.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c!-- - - - - - - - - - - ENTER DOWNLOADABLES BELOW - - - - - - - - - - --\u003e\n\u003ch5\u003eDownloadables\u003c\/h5\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg style=\"display: block; float: none; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/esquivel-cvr.jpg?2195007725441846035\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"btn-wrapper\"\u003e\u003ca class=\"product-btn\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/esquivel-hires.zip?2195007725441846035\"\u003eDownload the Cover\u003c\/a\u003e\u003c\/div\u003e\n\u003c!-- - - - - - - - - - - - ENTER DETAILS BELOW - - - - - - - - - - - --\u003e\n\u003ch5\u003eDetails\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eEnglish Hardcover\u003c\/strong\u003e \u003cbr\u003eISBN: 978-1-58089-673-3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnglish Paperback\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eISBN: 978-1-58089-674-0\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpanish Hardcover\u003c\/strong\u003e\u003cbr\u003eISBN: 978-1-58089-733-4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpanish Paperback\u003c\/strong\u003e\u003cbr\u003eISBN: 978-1-62354-575-8\u003c\/p\u003e\n\u003cp\u003eAges: 6-9\u003cbr\u003ePage count: 32\u003cbr\u003e10 x 10\u003c\/p\u003e\n\u003cp\u003eEnglish publication date: September 6, 2016\u003cbr\u003eSpanish publication date: September 10, 2024\u003c\/p\u003e\n\u003cp\u003e[\/TABS]\u003c\/p\u003e"}